In short: The Suunto Vertical ( available today for preorder on Amazon) brings a large, easy-to-read 49mm (1.4 inches) adventure watch into 2023 with solar charging, Wi-Fi connectivity, and colorful off-grid mapping. And at first glance, the Vertical seems to be a strong contender in this admittedly busy market. And with the release of the Vertical, the brand aims to take back the “do anything” smartwatch space after a few years of focus on more refined, smaller watches aimed at distance running and sports. Suunto is already a big player in the adventure watch space. The info popped in the sunshine, easy to read while I moved quickly up the rocky trail. A quick scroll of the face and a real-time map showed my progress up the “breadcrumbs” outlined on a route. In hiking mode, I saw my distance and elevation traveled as well as elapsed time and actual time. Setting guidelines for your team at the start of a project builds trust, accountability, and safety for the road ahead.Running up a Front Range trail near Lyons, Colo., I glanced at the bright face of the newly released Suunto Vertical. ConclusionĪmbiguity is the enemy of preparation, so don't leave these important concepts to chance. We also highly recommend adopting the maintenance practices listed in the article. We recommend you zip and backup the project folder to 2 separate locations (like the Media Shuttle and a cloud backup) on a daily basis to avoid major set backs in post production. shared storage + hard drives,) with one copy in a separate geographical location (this can also be a cloud backup.) 3-2-1 means three copies of production data, on two different types of media (e.g. So protect assets with the classic "3-2-1 backup" plan, or something similar that suits your team's needs. Still, we can't prevent accidental deletions or software based corruption. We monitor the shared storage for corruption and proactively repair physical problems with storage, so it's a safe space for your proxies, OCM, and project files. Make a Backup PlanĪll Frame One projects enjoy at least 25 TB of speedy storage on the redundant Z drive, plus project storage on Y. You want to preserve timecode information so licensing archival and linking back to OCM is easy during online editing. In almost all cases, it is best to transcode with the keep source frame rate checkbox selected. For editor simplicity, we recommend applying both.Īrchival video or slow motion OCM may arrive in a different FPS different than your project. Materials shot "raw" color format may have their color profiles (LUTs) applied in a similar fashion. Source transformations like stretching or letterboxing may be "burned into" proxy media by way of the " Apply source transformations" checkbox on the transcode window. Thus, we recommend letterboxing, especially if your film may include visual effects. Stretching may be easier in offline editing, but the distortions you introduce will need to be rectified at some point. Letterboxing maintains original shooting proportions, but may require editors to "punch in" to fill the frame. Proxy media may be stretched to fit the frame or letterboxed through source transformations. Make a plan for any OCM that arrives in different aspect ratios from your primary camera. Agree upon a codec with a couple of files before transcoding the bulk of your material. Try exporting "screen test" files for your team's leadership. For 1080p projects, transcode your proxy media to project dimensions (1080p.) For 4k+ projects, experiment with proxies at 1/2 and 1/4 of source dimensions. SQ provides higher quality for effects work, at the cost of more drive space. DNxHR LB is a great space saver and a good quality choice for most productions. We recommend transcoding Original Camera Materials (OCM) to DNxHR LB or SQ proxies for optimal performance. In both cases, set the FPS to the delivery specifications and the search data directory to Local Default. For 4k+ productions with other aspect ratios, create a project of the same size. Know your delivery spec and set your projects and proxies accordingly.įor UHD productions, a 1080p project is a great choice as both have aspect ratios of 16:9. It takes just a few minutes to get started in Avid Media Composer, but discussing the following with your post team first to avoid costly mistakes later on.
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